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Doryan Emmanuel Rappaz

From camera to baton — a cinematic and symphonic voice, from Geneva.

Next concert

21 June 2026·Salle des Fêtes, Lausanne

Manifesto

« I often compare music to the hand of Midas, which turned everything it touched into gold. Sadness becomes melancholy of extreme depth; joy becomes a hymn to spring; the feeling of love music draws out the very essence of romanticism… »

Doryan Emmanuel Rappaz

Cinema · Vanguard Studios Europe

From conductor to filmmaker —
one writing, two languages.

Direction and original score conceived as one. Two recent films to discover.

Cinema page
  • Vanguard Studios Europe · 2024

    Pandemonia — L'infirmière

    Direction · Original score

  • Vanguard Studios Europe · 2024

    Marguerites rouges

    Direction · Original score

Doryan Emmanuel Rappaz at the piano, profile view

Doryan Emmanuel Rappaz · Rainy Day, op. 20

Biography

From the Conservatory to Victoria Hall — the autodidact who never stopped writing.

Doryan Emmanuel Rappaz, born in Geneva in 1986, wrote his first pieces at seventeen after a brief stint at the Conservatory and a long self-taught apprenticeship. Trained in orchestration by Bogdan Zvorastenau, first violin of the OSR, he signed his Piano Concerto No. 1 in 2010, premiered by the Dubrovnik Symphony Orchestra.

From the Serenade for Strings (Victoria Hall, 2011) to the 13 Solitudes cycle, from the Double Concerto to the more recent « Les Noces » with Léman Virtuosi, his catalogue weaves a patient dialogue between late romanticism, European modernity and intimate depth.

Founder and president of GenevArte, winner of the FNAC Young Talent Prize for his book Rêve d'ado (2007), he pursues several entrepreneurial adventures in parallel — without ever leaving the piano.

Read the full biography

In recording

At Victoria Hall with the Orchestre de la Suisse Romande

Live recording of a symphonic evening at Victoria Hall, Geneva.

Reviews · Testimonials

Deeply lyrical writing that fits naturally into the great European Romantic tradition.

Programme — Festival Classique de la Madeleine

The pianistic gesture is inhabited, the emotion never cheats — Rappaz speaks a language we thought forgotten.

Music-lover, Soirée des Jeunes Créateurs

His Serenade for Strings brought Victoria Hall to a rare silence.

OSR regular

For Doryan, composing is first of all storytelling — and his Solitudes are the purest proof of it.

Kamil Osmanov, pianist

Deeply lyrical writing that fits naturally into the great European Romantic tradition.

Programme — Festival Classique de la Madeleine

The pianistic gesture is inhabited, the emotion never cheats — Rappaz speaks a language we thought forgotten.

Music-lover, Soirée des Jeunes Créateurs

His Serenade for Strings brought Victoria Hall to a rare silence.

OSR regular

For Doryan, composing is first of all storytelling — and his Solitudes are the purest proof of it.

Kamil Osmanov, pianist